DWT Fine Art

The revolt of the figurantes In stroll the So Paulo, I also had the chance, folloied of the friend and professor Adilson Paula de Oliveira, to know the program of dramatical readings Letters in scene, organized since two a thousand and seven, executing, in the Great Audience of the Masp, the act to read dramatical, lyric texts, epistolares, among others literal sorts. The project if develops all to the mondays and oportunizaalgumas varied readings of diverse authors, as well as the performance of new and consecrated actors. Gratuitously, the public has access to the quality culture, beyond being able to promote debate concerning the text, of the author and the performance of the actors, everything this with intention to enrich the work for intermediary of critical suggestions and. To participate of the Letters in scene, a registration exists to be carried through in the site and emails can be sent in order to present or to consider work. In day 18 of July, Adilson Paula of Oliveira and I, together with a considerable public and one special provoker in the auditorium, we attend the reading of the part the figurantes, of the Spaniard Jose Sanchis Sinisterra, with translation of Daniela de Vecchi, direction of Augustus Marin and Imara Kings and direction of production of Helosa Andersen, with performance of Carlos Capeletti, Salete Fracarolli, Michelle Gabriel, Nyerce Levin, Tuna Dwek, Augustus Pompeo, Patrician Fat person, Gabriela Fontana, Juliana Dip, Tadeu Pine, Thadeus Landmarks, Gabi Zanola, and pupil of the project Theater Citizen of the Point of Culture of the Commune. The figurantes constitute a dramatical text that presents tipificados personages, as monges, metallurgist, prisoner, soldiers, people, ladies, among others, which, in the absence of the protagonists, they decide to act and to show to its value, rebelling itself against the author and the principal actors. Without a ready action and leadership, them they develop the part. .

Summary the Brazilian economy in forced march Antonio Barros de Castro and Francisco Eduardo Saucers of Souza. So Paulo: Peace and Land, 2004. The author Antonio de Castro by means of the book the Brazilian economy in forced march presents the Brazilian experience of adjustment: he describes, he interprets, he questions and he characterizes the occured changes in the Brazilian economy in the period of 1974 the 1984. For in such a way the book he is structuralized in three main chapters: Adjustment x Transformation, Metamorphoses of the external indebtedness and In the threshold of the growth. However in this summary a more refined analysis of the chapter will become Adjustment x Transformation. The Brazilian economy of 1974 the 1984. Where the same it is divided in four subcaptulos.

Initially the author presents the Brazilian situation, that for two times was placed the test. First in 1974, when the necessities of oil, raw materials and machines were beyond the importation capacity, and later in 1981 the 1983 when the economy seemed to walk for the collapse, placing the country ahead of the unemployment in mass and the hypothesis of the trashing of the industry. Ahead of this succession of crises two trends had come if to affirm, one that nailed the regeneration of the economy through the implantation of a market economy, without interferences of the state, opened to the competition international and guided by prices freely established; another one that sheltered heterogeneous positions. In reply to the 1974 crisis, the Brazilian economy was taken to enter a long period of march forced, that of beginning if translates the sustentation of raised taxes of investments, where in full recessivo period the results appears in an improvement in the rocking of payments and with the retaken one of the growth. The public deficit, the tax of interests and the inflation had not hindered the retaken one, moreover, its treatment was facilitated with the proper growth.