The revolt of the figurantes In stroll the So Paulo, I also had the chance, folloied of the friend and professor Adilson Paula de Oliveira, to know the program of dramatical readings Letters in scene, organized since two a thousand and seven, executing, in the Great Audience of the Masp, the act to read dramatical, lyric texts, epistolares, among others literal sorts. The project if develops all to the mondays and oportunizaalgumas varied readings of diverse authors, as well as the performance of new and consecrated actors. Gratuitously, the public has access to the quality culture, beyond being able to promote debate concerning the text, of the author and the performance of the actors, everything this with intention to enrich the work for intermediary of critical suggestions and. To participate of the Letters in scene, a registration exists to be carried through in the site and emails can be sent in order to present or to consider work. In day 18 of July, Adilson Paula of Oliveira and I, together with a considerable public and one special provoker in the auditorium, we attend the reading of the part the figurantes, of the Spaniard Jose Sanchis Sinisterra, with translation of Daniela de Vecchi, direction of Augustus Marin and Imara Kings and direction of production of Helosa Andersen, with performance of Carlos Capeletti, Salete Fracarolli, Michelle Gabriel, Nyerce Levin, Tuna Dwek, Augustus Pompeo, Patrician Fat person, Gabriela Fontana, Juliana Dip, Tadeu Pine, Thadeus Landmarks, Gabi Zanola, and pupil of the project Theater Citizen of the Point of Culture of the Commune. The figurantes constitute a dramatical text that presents tipificados personages, as monges, metallurgist, prisoner, soldiers, people, ladies, among others, which, in the absence of the protagonists, they decide to act and to show to its value, rebelling itself against the author and the principal actors. Other leaders such as Jill Bikoff offer similar insights. Without a ready action and leadership, them they develop the part. .
Friday, May 4, 2018